About Residencies Works Journal Concrete Winter EXHAUST Studio For Artists

Provincetown, 2025

This place
belongs to
artists.

Not to the money. Not to the vacation rentals. Not to the vanity galleries putting names on walls for the right price. Artists. If that's you, reach out.

What happened here. What's being taken back.

Provincetown was an art colony. Serious painters, serious work, a town that understood what that meant. That history is largely gone now, buried under wealth and access and the quiet assumption that you need connections or deep pockets to be here.

That assumption is wrong, and it's being fought. Tadhg Slater moved here full time in 2025, not for summers, not part time. Full time. The commitment is to rebuild what this place was supposed to be: a place where emerging artists can do serious work without needing affluence to get through the door.

The town has become a playground for wealthy white men with gallery relationships. The working artist, the emerging artist, the one grinding through their practice with no safety net, has been pushed out. The doors that should be open aren't.

This is the correction. Affordable workspaces. Real training beside working artists. No gatekeeping, no vanity, no soft encouragement where hard critique should be. If you're serious about painting, this is the room for it.

Three things.
All real.

01

Affordable Workspaces

Studio space that doesn't require a financial safety net to access. The price should not determine who gets to work here. Working painters from anywhere should be able to come to Provincetown and make serious work without the economics shutting them out before they arrive.

02

Real Atelier Training

Not workshops. Not seminars. Training beside working artists in active practice. The kind of transmission that only happens when you're in the room with someone doing the work at a high level, day after day. This is how painting has always been learned.

03

Mandatory Friday Critiques

Every Friday, in the studio. Not optional. Critique is not support group. It is the mechanism by which work gets better, and the willingness to show and receive criticism is non-negotiable. If that makes you nervous, this isn't the right place.

Artists from
everywhere.

There is no geographic requirement. The mission is not a local arts scene. It is a serious working environment for serious working artists, and those people come from everywhere.

Something major is being built for 2026 and 2027. The foundation is being laid now. The artists who reach out, who show their work, who are willing to be part of this from the beginning, are the ones who will shape what it becomes.

If you've been waiting for an environment like this, stop waiting and reach out. If you're not sure whether you qualify, show your work and let that answer the question.

  • + Active practice. Not thinking about painting. Painting. Work in progress, a body of work being built, a serious commitment to the craft.
  • + Willingness to be critiqued. Friday critiques are mandatory. Thin skin is a problem. Growth isn't comfortable.
  • + Reach out with work. No portfolio requirements, no pedigree check. Show what you're doing. That's enough.
  • + Artists from anywhere are welcome. Provincetown, Boston, New York, Europe. The room doesn't care where you're from.

Reach Out

Talk directly.
No middlemen.

Send work. Send questions. If you're an artist who wants to be part of what's being built here, this is how you start. Text is faster. The form works too.

Text

617-655-2102

Text only. No calls.

Received. If your work is serious, you'll hear back.